Waterfall
Teletext
Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts. Separated they live in Bookmarksgrove right at the coast of the Semantics, a large language ocean. A small river named Duden flows by their place and supplies it with the necessary regelialia. It is a paradisematic country, in which roasted parts of sentences and fine phrases fly into your mouth.
Even the all-powerful Pointing has no control about the blind texts it is an almost unorthographic life One day however a small line of blind text by the name of Lorem Ipsum decided to leave for the far World of Grammar.
The Big Oxmox advised her not to do so, because there were thousands of bad Commas, wild Question Marks and devious Semikoli, but the Little Blind Text didn’t listen. She packed her seven versalia, put her initial into the belt and made herself on the way. When she reached the first hills of the Italic Mountains, she had a last view back on the skyline of her hometown Bookmarksgrove, the headline of Alphabet Village and the subline of her own road, the Line Lane. Pityful a rethoric question ran over her cheek, then it continued on its way. A little later, it met a copy. The copy warned the blind text that it was unsafe where it came from.
Character set
- AA
- BB
- CC
- DD
- EE
- FF
- GG
- HH
- II
- JJ
- KK
- LL
- MM
- NN
- OO
- PP
- QQ
- RR
- SS
- TT
- UU
- VV
- WW
- XX
- YY
- ZZ
- aa
- bb
- cc
- dd
- ee
- ff
- gg
- hh
- ii
- jj
- kk
- ll
- mm
- nn
- oo
- pp
- qq
- rr
- ss
- tt
- uu
- vv
- ww
- xx
- yy
- zz
- ÁÁ
- ÀÀ
- ĂĂ
- ÂÂ
- ǍǍ
- ÅÅ
- ÄÄ
- ÃÃ
- ĄĄ
- ĀĀ
- ĆĆ
- ČČ
- ĊĊ
- ÇÇ
- ĎĎ
- ĐĐ
- ÐÐ
- ÉÉ
- ÈÈ
- ÊÊ
- ĚĚ
- ËË
- ĖĖ
- ĘĘ
- ĒĒ
- ĞĞ
- ĠĠ
- ĢĢ
- ĦĦ
- ÍÍ
- ÌÌ
- ÎÎ
- ǏǏ
- ÏÏ
- İİ
- ĮĮ
- ĪĪ
- IJIJ
- ĶĶ
- ĹĹ
- ĽĽ
- ĻĻ
- ŁŁ
- ĿĿ
- ŃŃ
- ŇŇ
- ÑÑ
- ŅŅ
- ŊŊ
- ÓÓ
- ÒÒ
- ÔÔ
- ǑǑ
- ÖÖ
- ŐŐ
- ÕÕ
- ØØ
- ŌŌ
- ŔŔ
- ŘŘ
- ŖŖ
- ŚŚ
- ŠŠ
- ŞŞ
- ȘȘ
- ŤŤ
- ŢŢ
- ȚȚ
- ÚÚ
- ÙÙ
- ÛÛ
- ǓǓ
- ŮŮ
- ÜÜ
- ŰŰ
- ŲŲ
- ŪŪ
- ẂẂ
- ẀẀ
- ŴŴ
- ẄẄ
- ÝÝ
- ỲỲ
- ŶŶ
- ŸŸ
- ŹŹ
- ŽŽ
- ŻŻ
- áá
- àà
- ăă
- ââ
- ǎǎ
- åå
- ää
- ãã
- ąą
- āā
- ćć
- čč
- ċċ
- çç
- ďď
- đđ
- ðð
- éé
- èè
- êê
- ěě
- ëë
- ėė
- ęę
- ēē
- ğğ
- ġġ
- ģģ
- ħħ
- íí
- ìì
- îî
- ǐǐ
- ïï
- įį
- īī
- ijij
- ıı
- ķķ
- ĺĺ
- ľľ
- ļļ
- łł
- ŀŀ
- ńń
- ňň
- ññ
- ņņ
- ŋŋ
- óó
- òò
- ôô
- ǒǒ
- öö
- őő
- õõ
- øø
- ōō
- ŕŕ
- řř
- ŗŗ
- śś
- šš
- şş
- șș
- ßß
- ťť
- ţţ
- țț
- úú
- ùù
- ûû
- ǔǔ
- ůů
- üü
- űű
- ųų
- ūū
- ẃẃ
- ẁẁ
- ŵŵ
- ẅẅ
- ýý
- ỳỳ
- ŷŷ
- ÿÿ
- źź
- žž
- żż
- ÆÆ
- ŒŒ
- ææ
- œœ
- 00
- 11
- 22
- 33
- 44
- 55
- 66
- 77
- 88
- 99
- ¢¢
- $$
- ££
- ¥¥
- €€
- --
- **
- //
- &&
- %%
- ++
- &&
- ll
- tt
- ;;
- ==
- >>
- ||
-
- __
- ––
- ——
- ,,
- ;;
- ::
- !!
- ¡¡
- ??
- ¿¿
- ..
- ……
- ··
- ''
- ‘‘
- ’’
- ‚‚
- ‹‹
- ››
- ""
- ““
- ””
- „„
- ««
- »»
- ((
- ))
- [[
- ]]
- {{
- }}
- ¶¶
- @@
- \\
- ##
- ‰‰
- ••
- ``
- ´´
- ˜˜
- ¯¯
- ˘˘
- ˙˙
- ¨¨
- ˚˚
- ˝˝
- ¸¸
- ˛˛
- ˆˆ
- ˇˇ
- °°
- ©©
- ®®
- ∏∏
- ±±
- ÷÷
- ××
- ≠≠
- ¦¦
- −−
- ⁄⁄
- ▀▀
- ▄▄
- ██
- ▌▌
- ▐▐
- ░░
- ▒▒
- ▓▓
- ■■
- ▤▤
- ▥▥
- ▩▩
- ǻǻ
- ǺǺ
- ǽǽ
- ĉĉ
- ĈĈ
- ĕĕ
- ĔĔ
- ẽẽ
- ẼẼ
- ȩȩ
- fifi
- flfl
- ĝĝ
- ĜĜ
- ĥĥ
- ĤĤ
- ĭĭ
- ĬĬ
- ĩĩ
- ĨĨ
- ĵĵ
- ĴĴ
- ȷȷ
- ŏŏ
- ŎŎ
- ǿǿ
- ǾǾ
- ĸĸ
- ŝŝ
- ŜŜ
- ſſ
- ẞẞ
- ™™
- ŧŧ
- ŦŦ
- ŭŭ
- ŬŬ
- ũũ
- ŨŨ
- ỹỹ
- ỸỸ
- þþ
- ÞÞ
- ʼnʼn
-
-
- ←←
- →→
- ↑↑
- ↓↓
Information

Commissioned by Aéroports de Paris, FR
Teletext – Comeback of an early screen font
Maximage revived Adrian Frutiger’s Caractères TVP, now called Teletext. The extension of the 1979 typeface, originally designed for the monitors at Charles de Gaulle Airport in Paris, has four styles and a variable font. The humanist pixel font offers versatile applications, while the monospace system has been adjusted for flexible spacing.
Typeface: Teletext
Designer: Maximage (David Keshavjee, Julien Tavelli, Daniel Haettenschwiller)
Editor: Maxitype
Editor URL: www.maxitype.com
© Museum für Gestaltung Zürich and Maximage
Styles: 4 + Variable Font
Characters per style: 463
Language support: Basic Latin, Latin-1 Supplement, Latin Extended-A
File formats: .otf, .ttf, .woff, .woff2
Year of publication: 2025
© Museum für Gestaltung Zürich
The images and fonts of the database are reproduced as a digital catalog of the collections and serve exclusively to illustrate the collection holdings. Any use for the benefit of third parties — publication of the images and fonts or other commercial use — is not permitted without the permission of the copyright holders.